-
Re: Ogonek Positioning - Heavy Capital A
It feels a bit timid compared to the regular. Maybe make the bottom fatter and the join a bit thinner? I'd consider decomposing the glyph and getting rid of the break at the joint between the og…2 -
Re: Designed my first font for a fashion brand logo. How did I do so far?
Aren't /e/o/s/ still a bit lighter in the stem (due to more air inside the strokes) than the other letters?Might /s/ look better with a suggestion of a serif at the top to mirror the one on the …1 -
Re: Releasing variable fonts alongside static fonts
The opposite of variable is obviously constant. :# Yeah, I would also just add «VF» or «Variable» to the family name. Haven't tried it yet.4 -
Re: Designed my first font for a fashion brand logo. How did I do so far?
Definitely keep three lines in the capitals.I agree the slanted stress axis in /o/ is perhaps more of a distraction than a benefit. I would also bring the two lines on each side of /o/ closer togethe…1 -
Re: Synthium Display
Version 3 is very smooth and handsome. You've changed the typeface's philosophy from rounded rectangles to squircles, though. That's a pretty big change, and you have to decide for you…3
